NEW WOMEN’S FICTION...

Thu, 03/19/2009 - 7:12pm -- JDavanza

                                  

                                  NEW WOMEN’S FICTION BOOKLIST

A short definition of women’s fiction might be: stories about women’s lives, for women readers, and (with a handful of exceptions) by women authors.

In general, the books most frequently considered women’s fiction feature a woman protagonist on an emotional journey of self-discovery and/or empowerment. Very occasionally, this relationship-centered story features a man or a boy as the protagonist.

Women’s fiction may be popular (referred to by publishers as commercial or mainstream) or literary. Popular women’s fiction is distinguished from straight romance by its greater length, deeper characterization, multi-layered plots and sometimes multi-generational stories. In addition, a heroine may be more afraid to commit, bound by the past, driven by work, imperfectly socialized, or otherwise flawed, than usual in romance. She is often older and both more ambivalent about the romantic interest or spouse and more consumed by relationships with children, parents, friends, or siblings, than in romance.  

Most importantly, in women’s fiction there tends to be more exploration of loss and a less happy ending. Nonetheless, final resolutions in popular women’s fiction are heart-warming and uplifting.

A sub-genre of popular women’s fiction is chick-lit, humorous coming-of-age stories in which single young women find their path through work and life in the big city. Variations feature older women.

Literary women’s fiction is loosely distinguished from popular women’s fiction by its more complex diction and/or story structure. True tragic endings move a work from “women’s” into general literary fiction. The distinction between literary women’s fiction and general literary fiction is particularly blurred because much of contemporary American literary fiction (especially outside of university programs) springs from the domestic dramas of Jane Austin, Henry James and the Tolstoy of Anna Karenina. This is less true of the rest of the world’s literary fiction, where forms like magical realism and modernist presentations are more heavily represented.

Classic Authors:

Elizabeth Cadell

Mary McCarthy

Rosamunde Pilcher

Helen Van Slyke

 

Popular Authors:

Mary Kay Andrews

Elizabeth Berg

Maeve Binchy

Barbara Taylor Bradford

Barbara Delinsky

Richard Paul Evans

Katie Fforde

Fannie Flagg

Dorothea Benton Frank

Patricia Gaffney

Kristin Hannah

Jane Heller

Debbie Macomber

Lorna Landvik

Elinor Lipman

Jodi Picoult

Jeanne Ray

Luanne Rice

Anne Rivers Siddons

Lee Smith

Nicholas Sparks

Danielle Steel

Nancy Thayer

Adriana Trigiani

Joanna Trollope

Jennifer Weiner

 

Chick Lit

Meg Cabot

Jane Green

Marian Keyes

Sophie Kinsella

Sarah Mlynowski

 

Literary

Christopher Bohjalian

Jane Hamilton

Ann Harleman* (Rhode Island Writer)

Ann Hood * (Rhode Island Writer)

Hester Kaplan * (Rhode Island Writer)

Sue Miller

Anna Quindlen

Anita Shreve

Reference: NoveList

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